The Renaissance Center contains a large collection of items
related to the commercial theater of sixteenth and seventeenth century London. The book displayed here, for instance, is the
first edition of The Old Law, or A New
Way to Please You, a tragicomedy attributed to Thomas Middleton, William
Rowley, and Philip Massinger on the book's title page. Though this quarto was initially
published “for Edward Archer, at the signe of the Adam and Eve, in Little
Britaine, 1656,” textual scholars have dated the play’s composition back about
four decades before this publication. The exact nature of Massinger’s involvement
has been disputed, and the play may have been written by Middleton and Rowley between
1614-18, and only later revised by Massinger for a different performance by the
King’s Men.
Aside from the
historical and literary significance of the play itself, this volume is famous
for containing "An exact and
perfect catalogue of all the plaies that were ever printed,” a listing thought to be one of the earliest attempts to catalog the works of
the English Renaissance theater (unfortunately,
this catalog is missing from our copy, though it has been supplied in facsimile). Another notable detail about this publication
is how carelessly it was printed. The copy errors on page 64, for example, are
easy to spot.
Plays were important
enough to catalog, it seems, but the carelessness of this edition may also
point to the fact that the cultural space inhabited by commercial theater was still in flux during the time of this volume’s publication.
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The post following this will continue to showcase our
collection of works related to London’s commercial theater. Alex Bloom, an
intern at the Center and a student at the University of Massachusetts-Amherst,
will discuss a selection of Ben Jonson’s folios, detailing how these
publications relate and contribute to the early modern construction of
authorship.
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